EVENT: Bahay Nakpil 5/9

I will be filming at this event as part of my Baybayin documentary.

Mayroon tayong pagtitipon upang gunitain at ipagdasal ang mga sumusunod:

May 9, 1875 – Kaarawan ni Oriang o Gregoria de Jesus

May 9, 2010 – Bisperas ng May 2010 Elections

May 10, 2010 – First Automated National Elections

May 10, 1896 – Kamatayan ni Andres Bonifacio

BAYBAYIN – Sinaunang kasulatan nating mga Pilipino

Narito po ang detalye:

KAILAN: May 9, 2010

ORAS : 4:00 ng hapon

SAAN: Bahay Nakpil-Bautista, Bautista St., Quiapo

MGA DADALHIN: Potluck snack food

Pang-alay na bulaklak, kape, nganga o donasyon

MGA GAWAIN: Pagaalay kay Oriang

Kumustahan

Pintigan gamit ang mga indigenous music instruments

Ritwal ng Pasasalamat sa pangunguna ni UP Prof. Grace Odal

Pagdarasal para sa Bahay Nakpil-Bautista, Quiapo, Baybayin at Inang Bayan

Salo-salo

Tanong/ Trivia: Ano ang kaugnayan ni Oriang sa UP Oblation?

EVENT: Markado Lifestyle Convention – May 7 – Philippines

I’ll be doing my 1st international event in the Philippines on May 7, 2010 at the Markado Lifestyle Convention. It’s being held at the Mall of Asia SMX Convention Center. Tattoos, art, music, workshops and girls.

In a society that is undoubtedly full of despair, hate and loss, others chose to create vivid works to inspire, to give hope and to mark their existence. People who chose to live a life over the edge and boundary of what should be accepted, of what should be the ordinary. A lifestyle dedicated to those who chose to exist and mark their existence, a lifestyle dedicated to those who create works of art that is either unconventional or new or just simply overlooked.

This year, 2010, a great number of these people will gather and create their marks in this society, marked as the most exciting convergence of artists showcasing the country;s finest tattoo artists and collectors…unconventional crafts of graffiti artists…finest artworks by visual artists… and the mastery of multimedia practitioners.

This is the “MARKADO, A LIFESTYLE CONVENTION.” On the 7th of May, 2010 at the SMX Convention Center , Mall of Asia Complex, Manila, Philippines., in a whole-day affair marked by competitions in tattoo, graffiti, painting and multimedia arts. Throughout the day, top-notch entertainment will be provided by named bands and making the event more exciting is the holding of a mud wrestling gig. For enthusiasts, booths are open all-day for workshops and merchandising activities.

Visit the official website for more info

markado-poster

Baybayin film update

Quick update on the filming of my Baybayin documentary in Manila. 1 word….change

So much has changed since I lived here from 1996-2003 and visited last visited in 2005

While all the annoying crap like traffic, poverty, lateness and etc is still here, there’s a growing youth scene fueled by a sense of Filipino pride. However, I don’t yet know what the context is of the pride. I have an idea but I would need more time to come to any conclusions.

So far, I’m about 1/3 though my filming. I had the please to interview Dr.Bonifacio Comandante for about 2 hours about his research. Above is a sketch of where he believes the Baybayin Ka character came from.

Prior to coming here, I forgot that we would be in the middle of elections (May 10). Some of the people I had scheduled asked to postpone until after May 10. There seems to be some election day jitters considering this is the 1st time electronic ballots will be used. A failure of elections could really screw up this project. Either way, I’ll be documenting it as an underlying theme. In fact, all the non-Baybayin stuff is an entire project.

Yes, there is a Baybayin community here in the Philippines and it is alive.

Akbayan SJSU & AKO

Last month, Akbayan San Jose State University hosted an “Alibata” workshop “taught” by the brothers of AKO. While I didn’t attend this workshop, I was a bit annoyed by the use of Alibata. I get it if Alibata was used because that’s what people know it as but was explanation about the historical aspect of it? I doubt it. Besides the misdemeanor term, I question the the translation of AKO in the postcard below. I totally understand that it’s A.K.O (Alpha Kappa Omega) but it’s so obviously incorrect. If you use “Fob it”, “Be cool” and provide an wrong translation (isn’t even a loose one) with a backwards A character, you have no business running a workshop. Sorry

My biggest issue is that myself and others, spend a lot of time and money trying to revive Baybayin. When misseducation like this gets out, it makes what we do a whole lot harder.

While I don’t claim to be an expert in Baybayin, I know the basics. Hell, anyone can just by reading a few websites. Even Wikipedia has good info. Yeah, Baybayin (Alibata) is cool but don’t throw crap out there.

Yes, I emailed them and commented on posts but never received a response

incorrect alibata workshop

incorrect alibata

Baybayin & Bathala

This is a guest post from Paul Morrow, author of Ang Baybayin. Interested in writing for Baybayin.com? More info here


Last summer I wrote a series of articles about the supposed spiritual meanings of baybayin letter shapes. Recently one of the advocates of this idea, Perla Daly, posted criticisms of the article. I tried to answer the invitation on her blog for “well thought-out responses,” but I have not been able to post my response. I do not believe I am being blocked; it is most like just a technical problem. I asked Christian if he would mind if I posted here at Baybayin.com and he kindly agreed.

First of all, none of Perla Daly’s comments challenged the evidence I presented in the articles and generally she dismisses evidence-based arguments as being narrow and incomplete. Instead of refuting what I wrote, Daly chose to cast aspersions on me personally and dismiss me as merely an ignorant Westerner who is not only mocking her theory but all Filipinos and their beliefs. I can only assume this is a tactic that she hopes will bring others to her side through a sense of obligation to their Filipino heritage or through a sense of guilt for their Western heritage. I hope that assumption is wrong.

Now some specifics:

• The title of the blog in question is: “Sikolohiyang Pilipino, the Baybayin of Bahala, and a Westerner’s Mockery of Filipino beliefs and subjectivism.”

From the very start, Perla Daly’s title sets the stage for an “us-against-them” situation, the subtext being, “Look everybody! He’s mocking us! We must defend our honour, etc.

Did I mock Filipino beliefs? No. I refuted the theory of the Bathala/baybayin connection. This is not and never was a real part of any Filipino belief system, as much as Perla Daly would like it to be. I did not mock Filipino beliefs, though Perla Daly seems to think that her beliefs are those of all Filipinos.

As for subjectivism, that is fine for psychology, philosophy or religion. We can believe there are spiritual concepts in baybayin letter shapes if we want to, but if we make the claim that other people long ago believed the same thing, then we’re getting into history and for that we need evidence.

The fact is Pedro Paterno invented the baybayin/bathala idea in 1884. If it were really part of the belief system of Filipinos before that, somebody would have mentioned it in the preceding 300 years of documented Philippine history.

Another fact is that Bathala was only a deity for the Tagalogs and the Zambals; not for all the people of what we now call the Philippines. I may not understand “the metaphysical aspects of being Filipino,” as Daly claims, but then, her Bathala/bahala/baybayin theory doesn’t really apply to all Filipinos.

These facts stand even if I am, to use Daly’s condescending generalization, a Westerner who “cannot comprehend wholly Filipinos’ philosophy.”

• Daly commented on my title choice, “Da Bathala Code” as follows: “The play between Filipinos’ accents of ‘the’ and the title of the controversial Dan Brown novel is not lost on us as part mockery, part tongue-in-cheek.”

Yes, my title is tongue-in-cheek but it is not a mockery. There are plenty of examples of Filipinos using “Da” in titles (Da Buzz, Da Cocoanut Nut, etc.). I think the only readers who would see mockery in that title would probably already have a preconceived opinion of me being an ignorant and arrogant white man. There is nothing I can do about that. I could have written a much more serious or pretentious title, but I want the general public to actually read the article.

I think the allusion to Dan Brown’s “Da Vinci Code” is appropriate for Paterno’s Bathalismo. Again, this does not mock the real beliefs of Filipinos past or present.

• One of Daly’s comments on her own blog post said that I was “belittling various Filipino historical figures and national artist Tolentino.” (More of the “us-against-them” tactic.)

How did I belittle these figures? Guillermo Tolentino was a National Artist for Sculpture. In that area, he cannot be belittled. I criticized his ideas on history and the baybayin, and I was not the first. Ambeth Ocampo, the Director of the National Historical Institute, no less, has had a few chuckles at Tolentino’s expense. Google his article about “Tolentino and the Calatagan Pot.” When it comes to Philippine history, I will believe a real Filipino historian over a sculptor who talked to ghosts, any day.

Daly claimed that I was “making a determination or a judgement on Filipino ways of being that [I] totally [have] no understanding of” because I did not take Tolentino’s paranormal interests seriously. Here again, Daly is painting all Filipinos with the same brush. For me to make a judgment on all Filipinos like that, I would have to make the same gross assumption that Daly has made – that all Filipinos believe in the paranormal.

As for Pedro Paterno, he is one of the most ridiculed figures in Philippine history. Read “Brains of the Nation” by the Filipino historian Resil Mojares. He strives to be fair to Paterno but there is no getting around the fact that even Paterno’s contemporaries, including Jose Rizal, thought he was an embarrassment and his ethnographies utter nonsense. Paterno’s theories were also Tagalog-centric. He wanted a glorious past for the Philippines that would glorify himself. He claimed to be of Tagalog nobility yet he negotiated the Pact of Biyak na Bato on behalf of the Spanish government so that he could demand a Spanish title of no less than Duke and a Grandee of Spain with a seat in the Spanish Senate. He was a traitor who was criticized by a lot of Filipinos before I ever wrote about him.

• Daly said that “no one, including Filipinos, cannot post their feedback whether neutral, positive or negative” on my web article.

This is deliberately misleading. If Daly had looked for a comment box, she must have seen the “feedback” link, which is on all my articles at pilipino-express.com. Anyone can click on that link and have a dialogue with me personally, but I suspect that is not what Daly wanted to do. We do not have public comment boxes on our website because, more often than not, they are used for anonymous attacks and ranting.

• Conclusion

I appreciate Perla Daly’s desire, and the desire of all Filipinos, to explore their pagka-Pilipino, but what more can I say on that issue that Daly would not interpret as my being condescending? I will say that there is a beautiful quote on Perla Daly’s blog that I had never heard before. It says best what I have tried to say at the conclusion of many of my articles:

“The possession of knowledge does not kill the sense of wonder and mystery. There is always more mystery.” – Anais Nin

I am not a Filipino but I am a fellow human being. I am curious about many things, one of them being Filipino culture. I do not seek facts to kill wonder and mystery. Knowledge, not belief, leads us to even greater wonders and mysteries. And with that knowledge we can truly appreciate those greater wonders and mysteries. This is my spirituality. If Perla Daly dismisses it is as merely a tool for mockery, then none of what I have said here will ever change her mind.

-Paul Morrow, April 11, 2010.

Baybayin documentary

Next week, I will start filming my Baybayin documentary. Over the past 2 months, I’ve been busy organizing, writing and figuring out how to do this ambitious project. My biggest issue was, what kind of Baybayin film do I make? I don’t consider myself a scholar. I don’t have the funds or the time to travel all around the Philippines to document various scripts still used today.

So, what’s the story? I don’t intend to make a National Geographic type of doc that’s for sure. The truth is, I don’t know yet. That’s why I’m going to the Philippines at the end of the month to find one. I plan to interview quite a few people regarding Baybayin and Filipino culture in general.

A couple notes:

  • This project is currently self financed but I’m open for sponsorships. I have a few ideas if your business is interested. Contact me at info (at) baybayin.com.
  • I’m planning to attend a couple Baybayin related events while in Manila. Follow me on the Baybayin Facebook page for the latest about this project.
  • Detailed updates about this project can also be found at BaybayinFilm.com
  • Interested in taking part? I will be in Manila 4/23. Contact me at info (at) baybayin.com.

EVENT: Babaylan conference Sonoma State University 4/17-4/18

I will be at the 1st International Babaylan conference at Sonoma State University 4/17-4/18 taking part of a Baybayin panel discussion and overview of the writing system. You can also see some of my latest art pieces.

We are passionate about the significance of the babaylan in our communities and world today and would like you to join us in bringing about this very unique and special gathering through your efforts and presence.

We believe in the power of the Indigenous Soul and the Indigenous World View, as embodied by primary/land-based babaylans in the Philippines and contemporary babaylan/culture-bearers in the Philippines and in the diaspora, to provide a narrative that restores a sense of wholeness, beauty, and integrity to our pagka-Pilipino.

In a world that aches for peace, justice, and healing from the violent effects of colonial and imperial histories, our Babaylan and our indigenous knowledge systems and practices (IKSP) offer a path to re-membering and remembering the sacredness, strength, beauty, and the creativity of our Filipino Loob.

Registration Info: http://babaylan.net/register

Baybayin event in Houston, Texas

I recently had a conversation with artist Minette Mangahas regarding her Baybayin art project in Houston, Texas. Check it out if your in the area.

Artist talk: Thursday, March 25th
Opening Reception: Saturday, March 27
Installations on view: March 27, 2010 – June 20, 2010

“No longer bound to a sense of having to restrict one’s focus, material, or genre, many contemporary artists of color move back and forth between past and present, between history and fiction, between art and ritual, between high art and popular culture, and between Western and non-Western influences. In doing so they participate in multiple communities. “
-From English Is Broken Here by Coco Fusco, participating artist

Project Row Houses is excited to announce the opening of Artist Installation Round 32: eco, xiang, echo: meditations on the african, andean & asian diasporas. These Artist Installations will be on exhibit from March 27, 2010 through June 20, 2010 and are free and open to the public. There will be an Artist/Community Talk on Thursday, March 25th at 7:00 p.m. in our main building at 2521 Holman Street.

More info

"Subtle Energies" of Baybayin?

Bonifacio Comandante, the man who brought us the Baybayin dance, recently presented at the 1st MLE Conference, “Reclaiming the Right to Learn in One’s Own Language,” Capitol University, Cagayan de Oro City, Feb 18-20, 2010. His presentation was titled “ANCIENT BAYBAYIN:EARLY MOTHER TONGUE-BASED EDUCATION MODEL”.

I found the “Subtle Energies” of Baybayin and bean seeds interesting as well as Baybayin on the Manunnggul Jar. What do you think? Download the paper.
baybayin clams

Manunggul jar baybayin